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The Ivy Close Tribute Page

Poster for the 1912 Hepworth film "The Sleeping Beauty".Born: Jun 15, 1890 in Stockton-on-Tees, Durham, UK.
Died: Dec 04, 1968 in Goring, Oxfordshire, UK.

(left) Poster for the 1912 Hepworth film "The Sleeping Beauty".

Ivy Close Biographies:

Read another Ivy Close Biography
from International Silent Movie.

Or see her Britmovie Biography.

Ivy Close Filmographies:

Fandango


Ivy Close began a dynasty that has now covered four generations of the history of Cinema and Television. She married the photographer Elwin Neame (1885-1923) and reared two sons Ronald Neame (1911- ), a successful cinematographer, screenwriter, producer and director and Derek Neame (1915-1979), an author who scripted several films. Her grandson Christopher Neame (1942- ) and her great-grandson Gareth Neame (1967- ) have become successful producers. Her second husband was the Australian-born make-up artist and former stuntman Curly Batson, who died in 1957. [IMDB]


Top Stories

100 YEARS AGO THE DAILY MIRROR HELD A COMPETITION TO FIND..
Britain's first beauty queen

 Daily Mirror Story dated 8/03/2008

With her mop of blonde ringlets, sultry knowing look and porcelain skin, it's easy to see why 18-year-old Ivy Close became the Scarlett Johansson of her day.

She beat 1,500 hopefuls to win the Daily Mirror's Most Beautiful Woman In The World competition 100 years ago (1908). And as well as bringing Ivy - an ordinary lass from Teesside - worldwide fame, her front page picture also sparked the beginnings of a film dynasty which is still thriving today, four generations later.

"She was a remarkable woman and a family legend," says Ivy's cousin, Robert Close, 86, who lives in Telford, Shropshire.

"It was a proper beauty contest, not one with bathing costumes. It was about beauty and intelligence. Winning that competition was the start of everything for her."

Born on July 15, 1890 in Stockton-on-Tees, Ivy's biggest aim in life, like most girls of her age, was to find an eligible husband and produce a family. But her proud father Jack, a jeweller and amateur photographer, believed Ivy was destined for greater things.

When he spotted the Mirror's competition - prompted by the Americans' claim that they had found the ultimate global beauty queen on their side of the Atlantic - Jack was quick to post us a photograph of his bonny daughter.

Sifting through the piles of entries, Ivy's sparkling eyes and sweet smile stood out.

She was invited to London to sit for a professional portrait by 23-year-old society photographer Elwin Neame, along with 24 other shortlisted girls. Looking through his Box Brownie, Elwin, like the judges after him, fell for Ivy's "dreamy, sylph-like brand of loveliness".

Ivy - who went on to scoop the first prize of a car and have her portrait displayed in the Royal Academy of Arts - married Elwin two years later.

"After being a beauty queen, Ivy became an actress on the stage and in silent films," says her great grandson Gareth Neame, 40, who is executive producer of BBC1's Hotel Babylon.

"She was a girl growing up in the North East - she would never have thought of going on the stage without the Mirror's beauty contest".

"She and Elwin were pioneer film-makers from 1908 to the 20s."

Their first son Ronald, born in 1911, went on to become a distinguished film producer and director, earning Oscar nominations for writing the screenplays for the classic movies "Brief Encounter" and "Great Expectations".

But full-time motherhood wasn't enough for famehungry Ivy. It was Elwin's first attempt at a short film, using his home as a set and wife as his star, that led to Ivy's 12- month acting contract with film producer Cecil Hepworth.

Her debut was "Dream Paintings" in 1912, in which she appeared as several works of art, followed by "The Lady Of Shallot", "Mifanwy: A Tragedy", and her first feature - length film "The Lure Of London".

At the end of her contract, she formed Ivy Close Productions, and made "The Girl From The Sky", "The Haunting Of Silas P. Gould" and "Darkest London".

[Note at the time, 1912, it was quite unusual for a woman to start and run her own company - quite remarkable testament to her abilities]

"Ivy's husband wasn't too keen on her carrying on in films," says Robert, who never met his cousin but grew up hearing all about her.

"She used to do all her own stunts. In one film, she was supposed to be knocked down by a taxi and in another she was thrown into an icy river. Elwin didn't like her doing all that."

Outside of acting, Ivy's other passions were golf and motorcycling - unusual hobbies for a woman back then. She also sang in music halls and modelled for advertising campaigns.

In 1913 Ivy told Picture magazine: "I am never idle. My favourite hobby is motorcycling. It provided my husband and myself with a glorious holiday in Devonshire."

War in Europe and a slowdown in British film production forced Ivy to accept a one-year contract in the US.

Before she set sail for New York on May 13, 1916, she revealed in an interview that she was her own worst critic. "I love to see myself on the screen, but I am frightfully critical," she said. "I hate nearly everything I do and I try not to repeat my many faults shown up by a relentless camera."

In New York, she appeared in the comedy "The Girl And The Tenor" and hung out with the likes of Stan Laurel and Oliver Hardy, but Ivy found it hard to settle so far from native shores.

"It was pre-Hollywood and she didn't stay long," says Robert. "She didn't like the set-up over there, so she came back."

While in America, Ivy's eldest brother Raymond was killed while serving in France. And back home, there was to be more tragedy.

In 1923 Ivy Close starred as the orphan girl Norma in a horror film, "La Roue" also which starred  Severin-Mars, Gabriel de Gravone, Pierre Magnier, Georges Tarof.

La Roue, running approximately nine hours and produced in France by Abel Gance, was everything but forgettable. See All Movie Guide.

"The story itself is already emotion-charged and very powerful, focussing on a humble working family in the early days of the railway, but with a twist even modern filmmakers seem reluctant to tackle: the father suddenly finds himself in love with his charming adopted daughter, and later, when learning of the girl's adoption, the son realizes he is also in love with her! Along comes a suitor and finds the perfect material for emotional blackmail, but despite these complex issues, the story is beautifully told without obvious excess or melodrama, depicted by talented actors who convey their characters brilliantly, and photographed in settings with lighting and techniques only few outstanding directors have mastered so successfully. It is no wonder that Abel Gance's name stands alongside other legendary filmmaking pioneers such as D.W. Griffith and Eisenstein, with his use of various photographic effects and rapid montage sequences at just the right time to express thoughts and emotions, not merely actions and events. "

 

Buy this epic now!

More sadly, also in 1923, her beloved Elwin was killed in a motorcycle accident leaving Ivy a struggling widow at 33, with two young boys and not much money.

At 14, Ronald was sent to earn his keep at Elstree studios in Hertfordshire, working on Alfred Hitchcock's first talking film, "Blackmail".

The looks that had been Ivy's meal ticket were beginning to fade, but the final blow to her career was the advent of the "talkies". Her British accent was considered unsuitable for American audiences and Ivy's star waned as she played an extra in crowd scenes in her final films.

Gareth remembers: "I went with my grandfather Ronald, who's now 96, and my father to see a film of her playing 'Sleeping Beauty' which was showing in a little museum in Stockton. It was amazing to see my grandfather watch his mother as a young woman".

"I've got a picture from a magazine cutting taken at the time of female aviators like Amy Johnson, with her in flying goggles. It says Ivy Close: A Woman From The Skies. It's wonderfully evocative of its time."

Ivy eventually married Australian make-up artist Curly Batson, who died of lung cancer in 1957. Sadly, Ivy died alone in a nursing home in Goring, Oxfordshire, in 1968. "I believe she ended her days as an grumpy old lady," says Gareth. "She would sit there and say, 'It wasn't like this in my day'."

A plaque now hangs on the wall of the Stockton Swallow Hotel, the only reminder of the town's most famous woman.

A SHOWBIZ DYNASTY

Ivy Lillian Close married Elwin Neame in 1910. They had two sons.

Their first, Ronald Neame, born April 23, 1911, was an Oscar-nominated film director and producer whose works included "Brief Encounter" (below), "Great Expectations", "The Prime Of Miss Jean Brodie" and "The Poseidon Adventure".

Their second son Derek, born in 1915, was a writer on three films in the late 30s and 40s.

Ronald had one child from his first marriage to Beryl Heanly, Christopher Neame.

Christopher, 65, is a successful film and television producer who worked on "Soldier Soldier" and was nominated for a Bafta in 1987 for Great Performances: "Monsignor Quixote".

Christopher's son, Gareth Neame, 40, is currently the executive producer on BBC1's "Hotel Babylon". Gareth won a Bafta Scotland award in 1996 for Best Single Drama for "Truth Or Dare".

IVY'S BEAUTY TIPS

Printed in the Daily Mirror in 1908:

  • Clothes are an aid to the beautiful and of great importance to the plain. I don't mean expensive or showy things - but pretty.

  • Don't buy a pink blouse, a red blouse, a green and a blue so as to have "plenty of change". Think rather of skirts and neckties and the hats you're going to wear them with.

  • If you're fair, choose browns, blues, greens and mauves and violets. If you're dark, you have a choice of pink, yellow, red, biscuit and navy blue.

  • Dress according to temperature. The girl who wears a "pneumonia blouse" on a cold day will have a red nose and blue lips - what could be uglier?

  • When the face is oval or narrow, hair should be par ted in the middle and arranged in puf fs at the side. A round face needs no width, but rather height.

  • It is absurd to blindly follow a prevailing fashion in hairdressing. Find a style that suits you and wear it always.


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